2012: Film
The way I typically designate a good film is based on the following, rigorous criteria:
1. There is a story
2. The story works
3. I feel an emotion other than boredom, irritation, or complete and unresolved confusion
4. The absence of Katherine Heigl
That's it. I don't necessarily have to agree with the filmmaker's intent, any moral, worry about the fps rate, or anything else. It's just got to nail the 4 principles and I will probably like it. Of course last year I saw movies that didn't qualify, of which there are legion.
YAY!
Argo
Young Adult
Silver Linings Playbook
Anna Karenina
Looper
The "Am I Crazy? or Is this Movie About a 'Crazy' Guy Awesome?" Award:
Take Shelter.
Okay. Technically this movie came out in 2011, which means it basically gets to theaters near me a year later. And it was the best I saw last year. So I'm counting it. Contemporary stylists should take note. This is how style works, when in the service of a rock solid script. For anyone who has ever wondered "am I crazy?" "Am I making all this up?" "Can Michael Shannon actually act, contrary to what he demonstrates in
Premium Rush
?" these answers and more await you. And does Jessica Chastain.
NAY
The Emperor's New Clothes Award:
The Andersons (Wes, Paul)
Everyone on earth shouted praises of these two last year and I wanted to join on in. But you guys, the Emperor isn't wearing any clothes. Maybe he's wearing like a teensy codpiece or something, but not much more.
Moonrise Kingdom
. This one plays like Wes Anderson parodying Wes Anderson. I'm fine with a filmmaker having a signature, but this one feels like a flaccid Anderson just pushed "GO" on the Generate Wes Anderson Movie machine and this little tchotchke of a movie spat out. Plus, I'm not too keen on movies where I don't feel a single emotion (other than boredom) for an hour and a half. I long for the halcyon days of Rushmore, the movie which I fear Anderson will never surpass.
The Master.
I loved the premise. Loved. I loved the performances. I loved the cinematography. I
wanted
to love the story. I wish someone like Aronofsky or Peter Weir would have made it instead. Or Sidney Lumet arisen from his grave. Actually, I wish someone would still
yet
take another shot at this concept, with a new screenplay.
Movies I Sill Want To See, That Might've Made One Of These Lists Had I Not Had a Baby, Thus Preventing Me From Going To The Movie Theatre, And While We're At It, Sleeping, Hanging Out With Friends, Exercising, And Reading
The Moviegoer
By Walker Percy Which Has Been On My Nightstand For Months And Which I Have Failed To Read For The Third Time But Is Thematically Connected To This Post, In A Way:
Zero Dark Thirty
Promised Land
Bernie
Les Mis
Amour
Beasts of the Southern Wild
Ruby Sparks
The Impossible
Flight